Copyright © 2026 Authors retain the copyright of this article. This article is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
@article{199004,
author = {Ms. Susmitha Banoth and Ms. Nkihila Rane},
title = {Contemporary Fashion Criticism of Paris Fashion Week (2000–2025): Models, Frameworks, and Professional Practices},
journal = {International Journal of Innovative Research in Technology},
year = {2026},
volume = {12},
number = {11},
pages = {11490-11493},
issn = {2349-6002},
url = {https://ijirt.org/article?manuscript=199004},
abstract = {Fashion criticism in the 21st century has expanded beyond elite journalism to include academic analysis, digital media, and audience participation. This review paper examines the evolution of contemporary fashion criticism from 2000 to 2025, using Paris fashion Week as a central site of critical discourse. Through secondary literature and primary survey responses from fashion students, professional designers and fashion aware audiences, the study identifies recurring “criticism loops” related to creativity, wearbility, inclusivity, sustainability and commercialization. The paper argues that Pairs Fashion Week functions simultaneously as an artistic platform and an industrial system, where fashion is continuously negotiated between cultural expression and market demands. By proposing a structure negotiated between cultural expression to fashion studies, fashion education and professional design practice.},
keywords = {},
month = {April},
}
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