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@article{158506,
        author = {Narsimha Kusuma and Bhuvaneshwari Devi},
        title = {Cultural Realism: A Critical Study of Shashi Tharoor’s Riots},
        journal = {International Journal of Innovative Research in Technology},
        year = {},
        volume = {9},
        number = {9},
        pages = {759-763},
        issn = {2349-6002},
        url = {https://ijirt.org/article?manuscript=158506},
        abstract = {The current work is about the impression of Indianness in the books of Shashi Tharoor. Tharoor has added another flavour having both a scholarly custom connected with Indian lives, of utilizing a language and artistic structure that interface anybody to the writing. There is the unmistakable nature of Indianness in the entirety of his works, be its topic, investigations of considerations and thoughts of Indianness. The vast majority of his abstract manifestations are fixated on Indian subjects and they are set apart with the expression Indo-nostalgic. Here, I have made a straightforward work to reflect Indianness including the previously mentioned three books. History, legislative issues, religion and social contentions has forever been a hot issue from ages and is very much portrayed by the journalists as their ethical obligations. Shashi Tharoor’s Mob is an intelligent person, all around created and genuinely charged novel. The book owes the authentic occasion of affection disdain relationship of two 

significant networks (Hindu and Muslim) of India. The paper features the risk of 'solidarity in variety' and how the ideological groups for their shared advantages turn the basic issues in public uproars. The paper in the setting of such a difficult issue likewise centres around the East-West experience through two sweethearts and the social clashes between two countries and two religions.
},
        keywords = {Culture, Realism, Tharoor, Riots, Society },
        month = {},
        }