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@article{173132,
        author = {R Benjamin and Dr. Anjana Thampi},
        title = {The Dramatic Tapestry of *Gladiator*: Tracing Shakespeare, Classical Tragedy, and Modern Cinema},
        journal = {International Journal of Innovative Research in Technology},
        year = {2025},
        volume = {11},
        number = {9},
        pages = {2042-2047},
        issn = {2349-6002},
        url = {https://ijirt.org/article?manuscript=173132},
        abstract = {This analysis delves into Ridley Scott’s Gladiator (2000) as a cinematic text that synthesizes multiple dramatic traditions, from ancient Greek theater to Shakespearean drama to contemporary film. By examining the film’s narrative structure, character development, thematic concerns, and visual symbolism, it demonstrates how *Gladiator* functions as a modern theatrical experience. The film draws upon centuries of dramatic evolution, speaking to contemporary audiences about timeless human struggles. The narrative structure mirrors classical Greek tragedy and Shakespearean drama, showcasing a hero’s rise, fall, and eventual redemption. The character development of protagonist Maximus embodies the tragic hero, struggling against fate and corruption. Thematic concerns such as honor, vengeance, and the quest for justice resonate with historical and modern audiences. Additionally, the film employs rich visual metaphors, from the Colosseum’s grandeur to the pastoral imagery of Elysium. In essence, *Gladiator* is a testament to the enduring power of storytelling, blending historical and contemporary elements to create a compelling narrative that transcends time. This synthesis of dramatic traditions highlights the film's ability to communicate universal human experiences and emotions.},
        keywords = {},
        month = {February},
        }