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@article{189442,
author = {Dr. B. Soundary and E. Chithra Devi},
title = {Memory, Trauma, and Self-Reconciliation in Neil Simon’s Jake’s Women},
journal = {International Journal of Innovative Research in Technology},
year = {2025},
volume = {12},
number = {7},
pages = {5751-5753},
issn = {2349-6002},
url = {https://ijirt.org/article?manuscript=189442},
abstract = {Departing from the conventions of the realistic theater, Jake’s Women is an expressionistic drama focusing on the inner world of a middle-aged writer-a man who is especially dependant on the women in his life: his sister, his deceased wife, his current wife, his daughter, and his psychoanalyst. (Susan Koprince)
America’s one of the most celebrated and successful playwrights, Marvin Neil Simon’s play Jake’s women on the surface level, is a humouristic play. However, its true subject is the psychological process of emotional recovery and self-reconcilement attained through humour. Simon presents Jake, the protagonist of the play, as a writer who faces conflicts between realities versus delusions. Jake uses his career as a means of escape from acknowledging the fact that his marriage is falling apart. He summons seven significant women of his life in his imaginations to cope with the mournful reality. Jake is clung to the past, haunted by the memories and paralyzed in moving forward. Humour is one of the tools that can be used to counter trauma. Humour was the cure for Jake’s mental struggles and the pathway to lead a conflict-free life. It restores sanity, helping people to make peace with painful recollections, to recover from the trauma and to reunite with happiness not through others but through one’s own real self. This article explores how memory, which often results in trauma, is associated with rationality of an individual and demonstrates how humour serves as a path for self-reconciliation.},
keywords = {Marital estrangement, Dramatic dialogue, Psychological, Symbolic significance, Complexities of human grief.},
month = {December},
}
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