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@article{193024,
        author = {Anupama. R},
        title = {THE CREATURE REBORN: EMOTION, MONSTROSITY, & VISUAL STORY TELLING IN DEL TORO’S ADAPTATION OF FRANKENSTEIN},
        journal = {International Journal of Innovative Research in Technology},
        year = {2026},
        volume = {12},
        number = {9},
        pages = {3532-3534},
        issn = {2349-6002},
        url = {https://ijirt.org/article?manuscript=193024},
        abstract = {Oscar winning director Guillermo Del Toro brings new life to Mary Shelley’s classic 1818 tale “FRANKENSTEIN”. At the heart of the story is victor Frankenstein (Oscar Isaac), a brilliant but tortured scientist who daring experiment to awaken a creature played by Jacob Elordi leads to a tragic fate for both creator and creation. 
Victor driven by ambition and a desire to challenge natural human limits assembles lifeless parts of dead bodies and gives birth to a sentient being. This act of ‘Rebirth’, not only for the creature-who awakens into existence with n history, language, or identity but also for his own understanding of life and his regret for his own creation. The creature’s existence challenges scientific progress by exposing emotional and ethical limitations of his own deeds and his vision to destroy what was once said to be his achievement to be his own misfortune to create it. The story also highlights the feelings of both victor who’s the creator in part-1 to the shift in perspective of his creation and its emotional balance with learning new language and way of living in part-2. When victor could only show envy on his creation it’s indeed bound to be loved by an unknown old stranger and his way of looking at things in its simplest forms, its victor who begs for forgiveness for creating a demon and letting him crave for love and loved one, even when he knew ‘Everything that’s born, should die.},
        keywords = {Detracts, Gothic, Paroched, Quirks, Monstrosity.},
        month = {February},
        }